An epic retelling of an interesting chapter from Maratha history

Following Farzand and Fatteshikast, Digpal Lanjekar’s initially two flicks in the sequence of films focused to the bravery of Chhatrapati Shivaji Maharaj and the Maratha military, the writer-director returns with a bang in the third film of the sequence – Pawankhind.

The movie, which was delayed owing to the pandemic, is dependent on just one of the most famous incidents from Maratha historical past – the Fight of Pavan Khind. At the outset, the makers make it obvious that this is not a comprehensive documentation of the battle, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas involved in this struggle. So, there are cinematic liberties taken in this retelling, but the crux of the tale is maintained.

The story about the Fight of Pavan Khind (previously known as Ghod Khind) and the bravery displayed by Bajiprabhu Deshpande and the Bandal military of 600 from the Siddhi Masud and the troopers of the Adilshahi Sultanate is very well recognized throughout Maharashtra. The final result – Chhatrapati Shivaji Maharaj’s productive escape from Panhalgad to Vishalgad. But, does Lanjekar thrive in recreating this vital chapter from Marathi record on monitor? Definitely!

Pawankhind is a comprehensive cinematic experience that is fit for the massive display screen. The film is formidable in seeking to investigate this tale in two and a fifty percent several hours, but it mostly succeeds in building the suitable construct up and ambience that prospects to a amazing climax. From laying out the explanation and the people included in it, to the siege of Panhala by Siddhi Jauhar, the escape system and the precise struggle, Pawankhind lays out all its playing cards in front you chronologically, even though inducing a dose of history, drama and even comedian aid in involving. The film doesn’t pass up out on supplying owing credit history to the the vast majority of the generals who assisted Shivaji Maharaj realise his aspiration of Swarajya.

As for the actors, it is not an easy undertaking to convey some of the most nicely –known names from the Marathi film and Television set marketplace alongside one another in a multi-starrer of this scale. But the casting office and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal every single actor has given his greatest to their roles. Even the supporting forged has some unforgettable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. An additional notable functionality that stands out is that of Ajinkya Nanaware as Shiva Kashid, the gentleman who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are sure to deliver tears to your eyes.

Even though Pawankhind excels in storytelling, the technological aspects, although superior, could have been better. The history score overpowers dialogues in some critical scenes, and the motion choreography in some scenes fails to make the cut. Even so, all said and finished, the full crew has accomplished its finest to make this a big screen practical experience. Maybe with a larger funds, these items can be ironed out in the adhering to films of Lanjekar’s collection.

For now, Pawankhind is a fantastic observe, and at the cinemas only.